Can LANDR Replace Your Mastering Engineer?


Drag-and-drop online mastering is here, and it’s free to try. LANDR provides unlimited 192 kbps mp3 masters of your tracks in seconds. If you like what you hear, you can pay for uncompressed 16-bit .wav masters. Pricing is very reasonable at $9 for four or $19 for unlimited masters per month. Paid users also get to select the […]

How to Comp Vocals in Ableton Live

Ableton Live

I’m long overdue for a music promotion post, but even more overdue for a new Color Theory release! Once I wrap up my next EP, I’ll turn my focus back to promotion, and of course share my efforts and results. In the meantime, I’d like to address a common concern for Ableton Live users: how […]

Make Space for Tight Bass

mixing board

The bass and kick are the foundation of your mix, and we want them to utterly dominate the lowest frequencies. I’m going to show you how to use a frequency analyzer to cut excess lows from every track in your mix, leaving clear, tight, punchy bass. Configure SPAN My favorite frequency analyzer is Voxengo SPAN. […]

A Mastering Engineer’s Guide to Final Mixdown

“Garbage in, garbage out” is a common saying among mastering engineers. The quality of the source material limits the quality of the final product. Most of my clients have no problem following my simple preparation instructions, but they stop there. They figure once each mix sounds as good as they can get it, they’re done. […]

Spectral Management

A few months ago, I announced I was cutting back on blogging to record a new Color Theory album. Instead, I was hired to mix three others (Exhibition by Die Brücke, The Deadliest Fairy Tales by Rain Rain, and a yet-to-be-named album for 907Britt). Since I’ve been living and breathing mixing since June, I thought […]

Keep Your Mixes Consistent by Using a Reference

Like most of you, I work a “day job” to pay the bills. I run my own CD mastering business by the name of Resonance Mastering. Unlike other mastering houses, I don’t believe in “corrective mastering.” If I hear a problem with a mix, I’ll ask the client to go back and fix it! Many […]