John Gold, founder of Hypeddit, recently published a course called Fans on Demand Formula, promising a thousand new fans in one week. I put it to the test! Well, kinda sorta. I took three weeks, and experimented with different audiences more than any sane person would dare. But hey, I completed the training and am…
It’s always a good sign when a Spotify PR company rejects your song. It means they’re selective, a prerequisite to establishing fruitful relationships with influential curators. Virtuoso Music rejected my first submission, so I sent them three more. To my relief, they approved one of them: We really love “In Motion” and we think that has a…
Spotify launched their Ad Studio platform early last year. I was giddy with excitement. For the first time, I could make potential fans hear my music. If they liked it enough to click through, my entire catalog was at their fingertips, AND I’d earn royalties on every play. Maybe I’d even earn enough to pay…
Drooble is a social network for musicians. Like Facebook, it has a news feed with comments and likes. Like SoundCloud, it has artist profiles, radio, charts, and playlists. And like Fiverr, you can pay for things like radio play, news feed exposure (Artist/Tune/Video of the Day), and even professional services like mixing and mastering. The…
I would never buy fake plays, and I strongly suggest you don’t either. You risk getting your material taken down, your account suspended, or worse. When I received an email from Vicky Edward of Midnite Blaster, an electronic music marketing agency based in Melbourne, Australia, I was skeptical. She assured me that their SoundCloud promotional service is…
You’re probably familiar with song share links that direct fans to the music service of their choice. For example, here’s one for my last single: There are several free and paid options. I can’t say that I’ve tried them all, but I’m partial to Feature.fm Smart Links. It’s comprehensive yet easy to use, and offers several advantages…
A few weeks ago, I stumbled on this giveaway from Taylor Davis, and was blown away by what I saw: With almost two days left, she racked up over 3K entries, just by giving away a few CDs! All that social media action probably cost her $100 — $50 for the CDs plus shipping, and…
Playlist Push promises to help independent artists get their music on Spotify playlists, and gives playlist curators a way to monetize their music discovery. As of this writing, they have 242 curators across 60 genres with a total of 8 million followers. Campaigns start at $185 and run for two weeks. The price increases with genre popularity,…
Patreon consumed my last year. Between launching my page, promoting it, and delivering on what I promised to patrons, there was little time left for other musical or marketing activities. These days, most of what I make from my music comes from patrons. Starting at $1 per month, they get exclusive first access to new…
UPDATE: I gave Playlist Push another whirl in March, and they’ve come a long way since I wrote this. You won’t miss anything if you skip straight to my latest review, Playlist Push Revisited. My Spotify numbers are weak compared to my other social stats. I hover around 1200 listeners and 3600 streams per month….
$500 is a lot of money. As much as I love testing out promotion ideas and sharing the results with you, that’s more than I’m typically willing to spend. In this case though, I didn’t have to pay anything out of pocket. The referral link I included in my earlier article on Feature.fm (which will…
Which of my unreleased songs will people like? I have no idea. Friends and family aren’t much help either. Fortunately, I’m able to get unbiased feedback from fans of my genre through ReverbNation’s Crowd Review, which has been completely overhauled since ReverbNation’s acquisition of Audiokite last November. To call this market research simply “helpful” would be a gross understatement. My…
I haven’t bought a CD since 2011. If it isn’t on Spotify, to me, it doesn’t exist. Once you’ve experienced the convenience of having the entire history of recorded music in your pocket, why would you go back to schlepping files around? 50 million paid subscribers agree. Thus, it is with great sadness and a…
MusicSubmit is a music submission platform, similar to recently reviewed SubmitHub, but with a broader reach. They too cover music blogs, but their primary focus is online radio. CEO Michael Corcoran credited me with 25 “Best Shot” submissions to give MusicSubmit a spin. Now sit back as I share my journey from painful anonymity to online radio glory. Approximately. Step 1:…
Jango is a free internet radio platform similar to Pandora. Feed it an artist name and it generates a playlist of related songs. Radio Airplay injects songs from emerging artists into those playlists. I started using Radio Airplay a.k.a. Jango Airplay when it launched in March of 2009. Over the past seven years, my songs have racked up 340,246 plays at a…
UPDATE: I wrote this in March of 2016, and it quickly became my most popular post. Four years later SubmitHub has over 1100 curators including radio stations, YouTube and Twitch channels, Spotify playlisters, and Instagram influencers. Read about my latest experience, including tips and tricks from SubmitHub’s founder, here. I hate submitting my music to blogs. Hate…
UPDATE: Since writing this article, 8tracks disappeared and recently relaunched, so I’m not sure how much of this still applies. You can also promote your song on Feature.fm through Deezer. Read about my experience with that here. Right now my favorite Feature.fm feature is Smart Links. Every musical artist wants their work to be heard….
Someone is using your song in their video, and they didn’t ask. What do you do? You could tell them to remove it, or even report it to YouTube. It wouldn’t make you any friends, but you’d most certainly be within your rights. Or, you could just ignore it. It’s exposure, right? Even if you’re not properly…
UPDATE: ReverbNation acquired Audiokite in November of 2016, and improved upon it with their new Crowd Review product, which I review here. This is the story of a mediocre song. An objectively mediocre song. My song. Curse you, data! If you’re looking for unbiased feedback on your latest track, you’ve got five options. Well, five-ish. There’s SoundOut,…
Perhaps you don’t sell too many albums on iTunes, or have that many SoundCloud plays or YouTube views. But maybe, just maybe, your music is really popular in some far off corner of the digital universe you never even knew about, and all that “exposure” you’ve racked up over the years is paying off behind the scenes….
Drag-and-drop online mastering is here, and it’s free to try. LANDR (affiliate link) provides unlimited 192 kbps mp3 masters of your tracks in seconds. If you like what you hear, you can pay for uncompressed 16-bit .wav masters. Pricing is very reasonable at $9 for four or $19 for unlimited masters per month. Paid users also get to…
Ever spotted a terrible video on YouTube with an inconceivably high view count? Of course you have. Would it make you feel better knowing that most of those “views” were completely automated and only lasted 30 seconds with the sound turned off? Vagex (referral link), a hugely popular YouTube exchange platform, is largely to blame….
Earbits is a personalized streaming radio site focused on independents, with no ads or subscription fees. Like Jango, Last.fm, and Grooveshark, they sell airtime packages to artists. At around a penny a play, it’s a relative bargain, especially since they only charge for songs played past the 30 second mark. Put another way, $50 buys…
Running a Facebook ad campaign is confusing. You bid for ad placement, but the price you pay bears little relation to your bid. What’s the difference between reach and social reach, connections and clicks, CPC and CPM? More importantly, is there any way to tell how many people played, downloaded, and shared your song, or…
That's all, folks!
That's all, folks!