A How I’m Promoting My Music This Month email subscriber recently asked: I would personally be really interested in an overview post of where you are at and what you are trying to achieve with your promotion. Both in terms of fans, reach, impact and financial side – I’d love to understand the big picture…

Over the past two decades, dozens of my mastering clients have hired music PR companies to promote their music. They always regret it, and always tell me the same thing: “They didn’t do anything for me that I couldn’t have done for myself.” Same goes for labels, by the way. I’ve never been on a…

Lady Gaga shot to the top of the sales charts upon the release of her last album, in part because it was deeply discounted on Amazon. Radiohead pioneered the “pay what you want” approach, with most downloaders opting to pay nothing at all. Last week I asked my fans which pricing model they prefer, and received…

Let’s be honest. You don’t need the money. Anyone can make a record for next to nothing these days. Almost any other hobby is more expensive: photography, mountain biking, even video gaming. When a teenager singing into a webcam gets exponentially more views on YouTube than your latest “professional” video, the answer isn’t more money….

I promote to establish and nurture a genuine relationship with my fans. I measure my success by the number of subscribers to my mailing list. Notice I said mailing list, not Twitter followers or MySpace “friends.” I’m talking about the people who grant me permission through a double opt-in process to email them directly on…

If I had $5,000 to spend on music promotion, I certainly wouldn’t waste it on any of the following: Ads. It’s easy to get “dazzled by the numbers” when given the opportunity to reach thousands of people. We think, “If only 1% of those people bought the album, I’d double my investment!” Don’t let the…

I’m a big fan of the whole “paperless society” thing, as my Kindle will attest to. Going electronic saves time, money, and resources – unless you’re dealing with the US government. Every few years I register a new album with the United States Copyright Office, and every time I wonder if I’m supposed to submit…

When I put out my first CD in 1994, you had to be signed to be taken seriously. So I created my own label, 11th Records. I even went so far as to sign another band to my roster. Loosely translated, I sold a friend’s CDs on my web site. My letters went out on…

Over the past fifteen years of promoting my music, I’ve developed some strong opinions about what works and what doesn’t. As I promote my new seventh album over the coming months, I will argue that new web sites and technologies like Pandora, iTunes Genius, and Last.fm will have a larger impact on my success or…